Playing an instrument as a child
always seemed like a chore. Learning the notes, following the beat, and
memorizing chords were tedious and boring tasks. However, as adults, we can
appreciate the multiple benefits of our parents forcing us to go to that
dreaded piano lesson. Nina Kraus’ lab is researching the positive effects
between music training and auditory skills. Connected with this is B.R. Zendel
and Alain Claude’s article, “Musicians Experience Less Age-Related Decline in
Central Auditory Processing”. In the article, Zendel and Claude test if
musicians suffer less age-related decay in their auditory skills.
Zendel
and Claude experimented with pure-tone thresholds, gap-detection threshold,
mistuned harmonic detection thresholds, and speech-in-noise thresholds. In this
blog, I will focus specifically on the speech-in-noise thresholds.
Speech-in-noise thresholds vs. Age [Credit: B.R. Zendel and Alain Claude] |
In Zendel and
Claude’s experiment, he finds that the speech-in-noise thresholds increase
slower with age in musicians than nonmusicans. Therefore, an 80-year-old
musician will be better able to pick out speech in a noisy restaurant than an
80-year-old nonmusician. Zendel’s conclusions explained why there is slower
increase in the threshold. He believes that by frequently practicing an
instrument, a person will enhance their cognitive reserve. By enhancing their
cognitive reserve, their perceptual, attentional, and cognitive skills can
concentrate on processing auditory stimuli. An improved cognitive reserve leads to more successful and
flexible ways of thinking during auditory and cognitive tasks. Due to the
changes in the ear due to older age, incoming noise is less accurate in the
elderly. Therefore, the older adults need to use their cognitive skills to
counteract that loss. Musicians have a slower increase in threshold because
their enhanced cognitive reserves counteract the loss.
Understanding
speech within noise stimulates a complex network within a brain, including the
auditory, parietal, and prefrontal cortices. When processing speech in loud
areas, older adults show decreased activity in the auditory cortex, but higher
activity in the fronto-parietal network. Younger adults do not show this
activity. This demonstrates that the adults compensate for the decreased
auditory abilities with their cognitive ability. Since musicians can do that
better, it makes sense that they are better at processing speech within a noisy
background.
Nina Kraus’ work
is similar in that she found that musicians across the life span are better at
hearing speech in noise. She, however, looks at the musician’s neural responses
across the lifetime. She found that the musicians’ neural responses are less
deteriorated by noise over their life’s span. She found that by only having one
year of musical training, it can reduce the effects of outside noise on the
brain. That is why she believes that musicians have better listening abilities
in noisy environments.
Musicians vs. Nonmusicians in quiet and noisy environments [Credit: Nina Kraus] |
As seen from the
neural responses above, noise does not heavily impact a musicians brain. A
nonmusician, meanwhile, will have significant disturbance when there is noise
as opposed to when there is no noise.
Overall,
Dr. Kraus, Dr. Zendel, and Dr. Claude have unraveled more benefits as to why
learning music helps the brain. With this research along with others,
hopefully, more and more people will start to pick up instruments from their
youth. Also, programs, such as those Dr. Kraus discussed, may be set up in
poorer neighborhoods, so that underprivileged children can also reap the benefits
of music.
No comments:
Post a Comment