“Are musicians born or made?”
Gary Marcus, cognitive psychologist at New York University,
poses this question in his book about learning the guitar at age thirty-nine,
“Guitar Zero”. Conditioned to
believe that he would never become musical due to his poor sense of tune,
rhythm and pitch as well as a diagnosis of congenital arrhythmia, Marcus set
out to see if it was too late for him to learn an instrument. While few studies
regarding how adults understand music exist, Marcus made himself the subject in
a case study devoted to understanding brain plasticity in adulthood. He challenges the widely accepted idea
that learning something as complex as playing the guitar must be executed in
those “critical periods” of learning which at age forty he had long surpassed.
A key topic of “Guitar Zero” is brain plasticity, or the
brain’s capacity to alter its structure and thus its function over time due to
environmental changes. Marcus
admits that the child brain is able to rewire its neurons more subtly than the
adult brain, however asserts that through a step-wise (perhaps slower) process,
adults can learn complex skills (i.e. languages and in this case, musical
instruments) just as extensively as children. He states that the difficulties in learning come more from
environmental interferences, such as inadequate time for practicing and less
social support, rather than physiological differences in the brain. This brain plasticity argument affirms
that brain continues to develop well into adult-hood.
This theory holds steady in Daniel J. Wakin’s article for
the New York Times “Reviving Musical Dreams in Middle Age”. The article regards Cassandra Gordon, a
now seventy-three year-old woman who began learning the cello eleven years
prior. Like Marcus, Wakin asserts that while the process may be longer, more
demanding and more frustrating, adults can reach an impressive level of
efficiency in learning an instrument.
Brain plasticity is a key topic in neuroscience because it accounts for a variety of processes from learning to brain repair. The ability of the brain to rewire its neurons and develop according to changes is largely responsible for how the environment changes a person's behavior. Gary Marcus' experiment stemmed from a love of music and a desire to produce his own, and produced results relevant to a multitude of aspects of neuroscience.
http://www.nytimes.com/2012/03/01/education/in-middle-age-reviving-dreams-of-playing-music.html?pagewanted=all&_r=0
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