As
we go through our lives, especially as children, we have a tendency to complain
about one thing or another that we are learning. "When will I ever need
Trigonometry?" "What do I care about poetry?" "How will
this art class help me in the future?" I'm sure that's what us nonmusical
children asked ourselves in our grade school music classes too. It turns out,
however, that at least in the case of music there are some beneficial
long-lasting effects.
The
benefit of playing music is something that Marcus touches on in his book. He
only spends about a page on the idea in his "Heavy Metal" chapter,
but it is enough to get me thinking about if our parents are right when they
tell us to "keep that noise down" as we bang on our drums or strum
our guitars with our garage bands. Marcus suggests a correlation with higher
IQs and taking music lessons but is hesitant to say which came first. However,
I think this is too broad a reflection.
Reading
through my daily news barely a month ago, I stumbled upon an article that
discussed some research regarding long term benefits that Marcus mentions we don't have enough of. I'll provide
the link to the article below, but here's the gist of it. Recent studies done
at Northwestern and the University of California indicate that there are
lasting effects of taking music lessons at a young age, even after the lessons
have stopped. Perri Klass, the author of the article, tells us that the studies
demonstrated the ability of students that had lessons as children to be better able
to break down complex sounds into their most basic elements, even if they
hadn't had a lesson in years.
During
her interview with Nina Kraus, the director of an auditory lab at Northwestern,
Klass finds out that her studies suggested learning how to create music
benefits language-based learning. Why? To play music one must be able to
distinguish among many components of sound, something that becomes useful when
learning how to pronounce every letter of every word while reading. In addition
to this easier recognition of sound, there is also a strengthening of working
memory, attention skills, and the ability to create meaningful connections to
the sounds we hear.
Turns
out this isn't only important for the younger generation, but for the elderly
as well. Marcus spends a great deal of time discussing how different age groups
learn music, and Klass offers a benefit of this learning across the board. As
we age, musicians and non-musicians alike see a decline in hearing and the
functioning of auditory nerves. But because musician's brains have been
completely rewired (the rewiring Marcus keeps referring to in the first few
chapters as he's learning to play), they keep most of these brain functions
that help them understand speech much better than the average non-musician at
the same age!
Though
we now have an idea of what making music does for us in terms of cognitive
functioning, it's much harder to see its effects on the genetic level. Marcus
goes back and forth on this idea of talent and skill being genetic or learned
and concludes that it's a little bit of both. He spends some time in his book
discussing perfect pitch, which researchers in San Francisco are trying to find
a genetic link to. It's difficult to take something like music and try to
isolate it in our genes because making music requires performing so many different tasks
coded for by so many different genes. We may never be able to point to a gene
and say that it's responsible for perfect pitch, but I think noticing the
patterns in families (musical parents tend to bare musical offspring) indicates that some of us are just more predisposed to
being better musicians.
While they have yet to find genetic factors responsible for some of these musical skills, the findings of these researchers demonstrate that children that are musically trained are able to better distinguish among tones they hear, and that their brains show much stronger responses when detecting specific sounds. The skills required for our brains to do this are improved the more we apply them, which may then translate to an increase in academic learning.
While they have yet to find genetic factors responsible for some of these musical skills, the findings of these researchers demonstrate that children that are musically trained are able to better distinguish among tones they hear, and that their brains show much stronger responses when detecting specific sounds. The skills required for our brains to do this are improved the more we apply them, which may then translate to an increase in academic learning.
This
research, however, does not mean make your kid take clarinet lessons and he'll
get straight A's. What it means is that practicing making and playing music
utilizes the aspects of the brain related to memory, language, and sound, and
the more you use anything, the stronger it becomes. Playing music is a work out for your brain! The earlier in life you start working it out, the better. Marcus successfully argues that there is no cut
off age for learning, but he recognizes that something a teen can accomplish in
a matter of days may take him half a year! Though there are benefits to
learning something new, such as playing an instrument, at any age, the earlier this rewiring and
strengthening of the brain happens, the more time you have to utilize its
benefits.
Not
only is being musical an enjoyable experience, it's good for you too! Old or
young, pick up an instrument and reap the benefits in a matter of years. So
next time your teen's beat boxing or electric guitar is giving you a headache,
resist the urge to tell him he's wasting his time; he may not know it, but it's
doing wonders for his brain.
http://www.bendbulletin.com/article/20120915/NEWS0107/209150373/
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