We've all
experienced the irritatingly complicated and misunderstood conversations held
in noisy restaurants and crowded bars at one point or another. The auditory
barrage is too much for many people's perception. However, according to
research at the Rotman Research Institute, it has been shown that those who
have had musical instruction, whether ceasing at an early age or still an
ongoing practice, have a greater ability to distinguish tone and timbre and
thus pick out voices in the din of a crowded room. An article by Dr. Perri
Klass, "Early Music Lessons Have Long Time Benefits," explains the lifelong
benefits of learning music at an early age. Had Gary Marcus, author of Guitar
Zero, known of these benefits sooner, he might have not waited until middle age
to pursue a musical career.
Joyce Hesselberth
Skills in
language and music are acquired expeditiously in young children and are perfected
through consistent practice. Marcus explains in his novel that Asian children
are able to distinguish the letters r and l of the English alphabet more readily
than their adult counterparts. The reason children are able to grasp linguistic or musical
ability much more readily than a grownup is due to the neural connections
within the brain. When young, many neural synapses and interactions are just beginning
to grow and connect with the influence of the activities of the child. As he or
she learns a new task, such as playing a major scale on the piano, the brain
makes neural connections coordinating with the task. In adults, the neural
wiring is already set and must be rewired when dealing with a new skill, a process
that takes much longer.
Dr. Klass is
well aware of a child's ability to quickly learn a musical skill, but he also
explains that early acquired musical skills not only affect the child then, but
have lasting effects for most of the child's life! (He makes sure to note that
this is not to be misconstrued for the "Mozart effect." Listening to
classical music will not improve your cognitive ability or your cell biology
test score. Sorry pre-med kids). Klass also cites the important relationship
between memory and language skills and playing a musical instrument. Marcus
also explored the close ties between language and music, though acknowledged that it is difficult to discern which came first, the song or the sentence. In the brain, both
music and speech utilized the same areas of the brain. Therefore, it can be no surprise
that practice of a musical instrument or musical training will strengthen a person’s
linguistic skills.
Gary Marcus
reiterates that it takes a combination of talent and practice and
an overall desire to become proficient in music. Similarly, Dr. Klass explains
that in order to achieve the long lasting benefits from musical studies, a
person must have a desire to learn and give full attention to the instrument they
are playing. A parent cannot simply force their child to play the trumpet and
expect them to have a profound knack for foreign language and literary skill.
This goes for all you future over-bearing, controlling parents! Let your child develop
a pure interest.
What I found most interesting in the whole of the article was the finding that a musician's hearing ability decreases at the same rate as a person without any musical experience. However, a person who has had musical training can pick out tones and discern pitches that the untrained person can't. The reason behind this is that hearing a sound deals with the ear's ability to detect it; the ability to pick out pitch differences in sound waves deals with the brain!
There is no
end to the exploration of music and its effects on the brain. Nor is there a
finite list of benefits music provides us. Music’s complex connections with
language and memory can be explained multiple ways. It all depends on how a
scientist wishes to explore the connections.
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Sources:
http://well.blogs.nytimes.com/2012/09/10/early-music-lessons-have-longtime-benefits/
http://www.soc.northwestern.edu/brainvolts/documents/KrausChandrasekeran_NRN10.pdf
http://www.ncbi.nlm.nih.gov/pubmed/21910546
Marcus, Gary F. Guitar Zero: The New Musician and the Science of Learning. New York: Penguin, 2012. Print.
http://www.soc.northwestern.edu/brainvolts/documents/KrausChandrasekeran_NRN10.pdf
http://www.ncbi.nlm.nih.gov/pubmed/21910546
Marcus, Gary F. Guitar Zero: The New Musician and the Science of Learning. New York: Penguin, 2012. Print.
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